Prom 50: Czech Philharmonic Orchestra, Weilerstein, Belohlavek, Royal Albert Hall
Even as orchestras began to sound more and more alike, there was the Czech Philharmonic. And many of its notable characteristics remain to this day: a modest, homespun, quality, warm and engaging and full of bright-eyed distinction…
Fidelio, English National Opera (Review)
The first words we hear don’t belong to Fidelio at all, the first music does, but not at all where you expect to find it. If you’ve read your programme (and who does before the show begins?)…
Prom 33: Bavarian Radio Symphony Orchestra, Uchida, Jansons, Royal Albert Hall (Review)
Precious few musicians can instill such a sense of intimacy into their playing as to have us believing that the Royal Albert Hall is Wigmore Hall and that their performance is for an audience of one and…
London Symphony Orchestra, Gardiner, Barbican Hall (Review)
Any young composer who finds himself at the opposite end of a programme from Walton’s First Symphony had better be good. Edward Nesbit – whose piece Parallels was commissioned by the LSO Panufnik Young Composer’s Scheme –…
London Symphony Orchestra, Petrenko, Barbican Hall (Review)
It should have been Sir Colin Davis, of course (and the news filtering through on Sir Colin is sadly not encouraging), but the very first chord of Beethoven’s “Emperor” Concerto was a startling demonstration of what makes…
A Conversation With The ELIAS STRING QUARTET
The vibrant ELIAS STRING QUARTET are 14 years young, well established, and well respected on the international scene. Former BBC Radio 3 New Generation Artists and recipients of a Borletti-Buitoni Trust Award in 2010, they are at…
Leif Ove Andsnes – the Beethoven Journey
Tonight Leif Ove Andsnes plays the Beethoven First Piano Concerto with the Philharmonia Orchestra and Esa-Pekka Salonen at the Royal Festival Hall. As I write he’s probably just about now presenting the Chamber Music award at this…
Prom 13: West-Eastern Divan Orchestra, Barenboim, Royal Albert Hall – review
On the evidence of the series so far I doubt anyone was expecting Stravinsky’s favourite Beethoven Symphony – the 8th – to spring from the starting blocks with the kind of propulsive dynamism implicit in the composer’s…
London Philharmonic Orchestra, Fleming, Eschenbach, Royal Festival Hall
With Wagner’s Tannhäuser Overture raising the curtain, so to speak, Renée Fleming arrived like Venus in a soufflé of black and bronze layered chiffon. Or to be more in keeping with the Strauss Four Last Songs she…
Leipzig Gewandhaus Orchestra, Chailly, Barbican Hall
The venerable and venerated Leipzig Gewandhaus Orchestra gave the first ever complete cycle of Beethoven symphonies and Riccardo Chailly, their 19th Kapellmeister, was impatient to renew that sense of revelation and surprise in an age when each…