GRAMOPHONE Review: QUIET CITY – Balsom, Britten Sinfonia/Stroman
There’s something intensely evocative about the solo trumpet – a plaintive, plangent, melancholic sound which speaks just as eloquently of the great outdoors as it does of the inner city. Of course, the jazz connotations are inescapable…
GRAMOPHONE Review: Jurowski Conducts Stravinsky Vol 1 – Angharad Lyddon, London Philharmonic Orchestra/Jurowski
The early evolution of Stravinsky from fledgling to Firebird feels like the most natural thing in the world as one listens to this the first in a three-volume series from Vladimir Jurowski and the London Philharmonic tracing…
GRAMOPHONE Review: Weill Violin Concerto / Symphony No. 2 – Tamás Kocsis, Ulster Orchestra/Van Steen
No one ever needs to convince me of Kurt Weill’s importance in the great scheme of music. Not just in the world of musical theatre where I have long been an advocate of his American work –…
GRAMOPHONE Review: Ravel Cantates pour le Prix de Rome – Choeur & Orchestre National des Pays de la Loire/Rophé
What a delicious surprise this has turned out to be. I’ll wager only a tiny minority of true Ravel aficionados will know only one or two if any of these early opuses – all of them written…
GRAMOPHONE Review: Shostakovich Symphony No. 11 – San Diego Symphony Orchestra/Payare
Sonically speaking, this streamed offering from San Diego is right up there with the best we have – yes, even the much-lauded Chandos/Storgards account which was my Critics Choice a couple of years back. The young Venezuelan…
GRAMOPHONE Review: Shostakovich Symphony No. 10 – Orchestre National du Capitole de Toulouse/Sokhiev
There’s a great deal to admire here. Some individual new thinking, too. In some ways the Tenth is the most classically cast of all Shostakovich’s symphonies – and to honour that it must feel organic. Sokhiev’s opening…
GRAMOPHONE Review: John Williams Violin Concerto No 2 & Various – Mutter, Boston Symphony Orchestra/Williams
‘The Guv’nor’ of movie music is quick to acknowledge those who have inspired him – composers and performers alike – and these two new releases are as much a tribute to the creative impulses of his two…
GRAMOPHONE Review: John Williams ‘A Gathering of Friends’ Cello Concerto & Various – Yo-Yo Ma, New York Philharmonic Orchestra/Williams
‘A Gathering of Friends’ celebrates three decades of friendship between Williams and Yo-Yo Ma and features a radical revision of the Cello Concerto first conceived after their initial meeting through the Boston Pops Orchestra. For this new…
GRAMOPHONE Review: Shostakovich ‘Jazz & Variety’ – Singapore Symphony Orchestra/Litton
Shostakovich’s well-developed sense of irony is so intrinsically wrapped up with his love of popular music – especially that which the Soviet establishment regarded as ‘trivial’ or better yet ‘subversive’ – that it’s sometimes hard to discern…
GRAMOPHONE Review: Price/Coleman/Montgomery – New York Youth Symphony/Repper
Florence Price is fast becoming the flag-bearer for a whole new generation of female African-American composers. And she is also a wonderful example of how quality will out if champions like Yannick Nézet-Séguin (his terrific disc of…