GRAMOPHONE Review: Richard Rodney Bennett Orchestral Works Vol. 3 – BBC Scottish Symphony Orchestra/Wilson
As each instalment of John Wilson’s recorded tribute to his friend and mentor Richard Rodney Bennett is revealed the realisation (to those of us who didn’t already know) that this extraordinarily complete musician could do absolutely anything…
GRAMOPHONE Review: Mahler Symphony No. 7 – Budapest Festival Orchestra/Fischer
I honestly can’t remember hearing a performance of this extraordinary symphony which was so plainly in love with its ethos, its originality, its sonority. Ivan Fischer reads ‘the small print’ of the score with such thoroughness that…
GRAMOPHONE Review: Shostakovich Symphonies Nos. 6 & 7, Etc. – Boston Symphony Orchestra/Nelsons
We’ve come to expect a clear-sighted brilliance and technical excellence from this series. It’s become something of a benchmark in that respect. The Tenth Symphony arrived like a whirlwind to kick things off and there have been…
GRAMOPHONE Review: Brigadoon – New York City Center 2017 Cast/Berman
Of all Lerner and Loewe’s Broadway shows – and it’s a small but perfectly formed list – Brigadoon has to be my favourite. My Fair Lady is undoubtedly one of only a handful of musicals that could…
GRAMOPHONE Review: Songplay – Joyce DiDonato
What we have here is the epitome of what we Brits call a ‘Marmite’ experience with elements to love and/or loathe whether or not you buy the concept in the first place. Joyce DiDonato’s fans will, of…
GRAMOPHONE Review: Mussorgsky Pictures at an Exhibition & Tchaikovsky Symphony No. 4 – London Symphony Orchestra/Noseda
You would surely expect an Italian to tap into the heat and ardour of Tchaikovsky’s fate-fuelled Fourth Symphony – but ‘heavy and unyielding’ is all that I took away from Noseda’s decidedly unremarkable performance. A sternness prevails…
GRAMOPHONE Review: Stravinsky Petrushka/Jeu de Cartes – Mariinsky Orchestra/Gergiev
Bold local colours are pretty much a given for Petrushka with this orchestra and this conductor in this location. But the vividness and ‘authenticity’ (not a word I generally use) of the characterisation took even me a…
GRAMOPHONE Review: Mahler Symphony No. 6 – MusicAeterna/Currentzis
Anyone who thrilled (as I did) to Teodor Currentzis’ Tchaikovsky Pathetique will find distinct parallels here. The impulse, the imperative, of this Mahler 6 is extraordinary – a headlong ride to the abyss with every rhythm and…
GRAMOPHONE Review: Broadway – Renée Fleming, BBC Concert Orchestra/Fisher
After her previous forays into jazz and inde-pop to say nothing of her recent stint on Broadway as Nettie Fowler in Rodgers and Hammerstein’s Carousel it was almost inevitable that a Broadway album would be forthcoming from…
GRAMOPHONE Review: Bernstein Wonderful Town – Soloists, London Symphony Orchestra/Rattle
I’ve always been slightly puzzled as to why Simon Rattle (and subsequently Mark Elder) chose to anoint this particular show amongst Bernstein’s Broadway canon – not because I don’t love it as dearly as the others but…