Adams “The Death of Klinghoffer”, English National Opera
The defining moment in John Adams’ opera – and Tom Morris’ staging of it – comes right at the top of a long and not unproblematic evening. And it’s a moment that should give pause for even…
The defining moment in John Adams’ opera – and Tom Morris’ staging of it – comes right at the top of a long and not unproblematic evening. And it’s a moment that should give pause for even…
Such is Berlioz’ persuasive theatricality that even when he is rearranging Shakespeare one is inclined to ask not what the Bard is doing for him but rather what he is doing for the Bard. His unprecedented Symphonie…
For the New York Philharmonic to have embarked upon a London residency without Mahler in their portfolio would have been unconscionable. It was they, after all, who brought it to the wider world under their most celebrated…
There is really very little that Marc-André Hamelin can’t or won’t do on or with a piano and he did most of it in this characteristically supersonic recital – including one wholesale assault on the Wigmore Steinway’s…
Bruckner’s unfinished final symphony – the 9th – poses many questions, none more perplexing than what might have been in terms of its absent finale. There are those who insist that the great Catholic symphonist had completely…
The occasion was Delius’ 150th birthday but more broadly it was a celebration of Englishness. Vaughan Williams’ lark ascended once more, the Philharmonia’s concert master Zsolt-Tihamér Visontay effecting the transfiguration of song into mystic musing with elegantly…
For those of us who believe (and don’t we all) that Octavian should end up with his true love – as opposed to his “fairy tale” romance – and live out his days with the Feldmarschallin, Maria…
There is hell-fire enough at the close of Francesca Zambello’s 2002 staging of Don Giovanni to consume not just the Don but the entire production. Not such a bad idea, I found myself thinking, as the Commendatore’s…
As curator of the London Philharmonic Orchestra’s ongoing Prokofiev series Vladimir Jurowski has striven to highlight the paradoxes which serve to make him the most contradictory of composers. He’s fielding oddities, he’s bowling googlies – none more…
The London Philharmonic Orchestra’s intriguing new Prokofiev series is entitled “Man of the People?” and the enigma is all in the question mark. Beginning at the end with the last of his symphonies, the 7th, was far…