I’ve yet to see a staged double-bill of Bartok’s symbolist ballet The Wooden Prince and his allegorical operatic masterpiece Duke Bluebeard’s Castle. A tall and very expensive order however one might approach the challenge. But that, it…

The final instalment in this marvellous cycle of the Carl Nielsen symphonies does not disappoint. The Danish National Symphony Orchestra serve their national hero with self-evident pride and big-heartedness and the Italian at the helm – Fabio…

Two accounts of this great symphony – some would argue (not me) Shostakovich’s greatest – neither about to shake up the top recommendations for the piece but one undoubtedly possessed of the will and temperament to do…

These are quite marvellous – and in the case of the Fourth Symphony, incendiary – performances. There’s something about the temperament of the Danish National Symphony Orchestra when they rejoice in the bracing and songful adventures of…

It’s easy to underestimate the depth and breadth of Andrew Davis’ repertoire and indeed his sterling qualities as a conductor – his ebullience, his robust sense of rhythm and razor sharp ears. All of which is much…

Mahler’s impact on those that followed him was greater than he would ever know. For Shostakovich it was the irony, the grand gesturing, the uncertainty of a symphonic tradition pushed to its limits. The two Tenths impact…