Editor’s choice (January 2017) There is no violinist currently playing the high-end of the international circuit that I would sooner go out of my way to hear than Lisa Batiashvili. There is something so super-intuitive about her…
The “other” Fischer boldly goes here where his younger brother has enjoyed such conspicuous success – and Adam, with his excellent Dusseldorf Symphony, may well be one up on Ivan with this compelling account of Mahler’s outlandish…
It’s taken almost four nail-biting decades for Dreamgirls to evolve from the germ of an idea to the most anticipated show never to have quite made it, lock, stock, and smoking barrel across the Atlantic. The germ…
When David Bowie first met with producer Robert Fox to discuss Lazarus back in 2013 you have to now wonder if he was seriously contemplating his own mortality. The clue, of course, is in the title, and…
From Monteverdi to Schubert to Bernstein and Lloyd Webber the dramatic song cycle has travelled far and wide over the centuries though not until Jason Robert Brown’s The Last Five Years in opposite directions. His two-handed tour-de-force…
It’s one of those true stories you really couldn’t make up. In 1920s Kentucky, Floyd Collins, visionary cave explorer, happens across a spectacular sand cave – the sand cave of his dreams – only to become trapped…
Well over a decade ago Stephen Sondheim expressed some interest in turning the movie Groundhog Day into a musical. Presumably he, too, would have turned to the movie’s scriptwriter Danny Rubin for the book – it is,…
Strictly speaking it should have been billed as “Ramin Karimloo and Broadgrass at the London Palladium” – then we might have anticipated the support act and late arrival of the West End and Broadway star known especially…
It has taken six years – and Michael Crawford – to bring Richard Taylor and David Wood’s poetic musicalisation of L P Hartley’s The Go-Between to the West End stage; and before the tired old debate begins…
You emerge from Flowers for Mrs Harris a little richer, a little lighter, a little more hopeful. Paul Gallico’s enchanting fable is about many things – it’s about new beginnings, rebirth; it’s about aspiration; it’s about the…