Edward Seckerson
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  • Musical Theatre,  Recordings,  Reviews

    GRAMOPHONE Review: Malloy Octet – Original Cast Recording

    By Edward / 25/03/2020

    It will probably come as no surprise to anyone familiar with the weird and wonderful work of Dave Molloy that this so-called ‘Chamber Choir Musical’ is an extraordinary confection. I listened to it on the same day…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Copland Billy The Kid Suite / Dvořák Symphony No. 9 ‘From the New World – National Symphony Orchestra, Washington DC/Noseda

    By Edward / 25/03/2020

    A brand new label showcasing both the National Symphony Orchestra and their home – the Kennedy Center – in Washington DC offers two familiar postcards ‘From the New World’ in performances that should but don’t stand out…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Mahler Symphony No. 4 – Carolyn Sampson, Minnesota Orchestra/Vänskä

    By Edward / 25/03/2020

    Let me say straight away that Vanska is temperamentally far better suited to the pristine, child-like world of the Fourth Symphony than he was to the epic Second. There are many aspects of this excellent performance (and…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE: From Where I Sit – March 2020

    By Edward / 25/03/2020

    A great deal has already been written about Beethoven this year. There will be more. Allow me to add to it. I have a vivid memory – a particular concert that took place on 9 June 1981…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Barber / Tchaikovsky Violin Concertos – Johan Dalene, Norrköping Symphony Orchestra/Blendulf

    By Edward / 26/02/2020

    Gramophone has already singled out this young man as one to watch and from the shaping of his solo entrance in the Tchaikovsky alone there’s a ‘presence’ about Johan Dalene’s playing that announces a musician of special…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Mussorgsky Pictures at an Exhibition / Khachaturian Spartacus Suite, Etc. – Royal Liverpool Philharmonic Orchestra/Petrenko

    By Edward / 26/02/2020

    This is one of those discs which commands respect (this conductor is pretty much always a safe investment) without setting the world on fire. I kept waiting for, anticipating, moments in all of these pieces when Petrenko…

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  • Classical Music,  Recordings,  Reviews

    GRAMOPHONE Review: Kathleen Ferrier in New York – Kathleen Ferrier, Set Svanholm, New York Philharmonic Orchestra/Walter

    By Edward / 26/02/2020

    A treasure, to be sure. Four years before Bruno Walter’s celebrated, indeed classic, Vienna recording (1952) with Kathleen Ferrier, the man who conducted the world premiere of Mahler’s pantheistic symphony with voices takes his newest discovery from…

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  • Asides,  Classical Music,  Reviews

    GRAMOPHONE: From Where I Sit – February 2020

    By Edward / 26/02/2020

    After so many years of concert-going – including a time when writing for The Guardian and The Independent newspapers that I was averaging three concerts a week minimum – it’s good to be reminded that I can…

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  • Classical Music,  Opera,  Recordings,  Reviews

    GRAMOPHONE Review: Offenbach Six Fables de La Fontaine – Karine Deshayes, Orchestre de l’Opéra de Rouen Normandie/Haeck

    By Edward / 29/01/2020

    The shocking pink packaging says it all. If Offenbach had a colour then this might be it. Then there’s the quirky illustration of besuited animals relating, of course, to the Six Fables of De La Fontaine –…

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  • Asides,  Classical Music,  Recordings,  Reviews

    GRAMOPHONE: From Where I Sit – January 2020

    By Edward / 29/01/2020

    As a new year and a new decade beckon we continue to live in uncertain times for print journalism. The digital world has opened up new and exciting frontiers for sure; it has sharpened communication and promoted…

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