Jamie Barton’s all-embracing talent – her powerful presence, her spectacular vocal equipment – has a whole lot of Heggie to get hold of here. But there’s a whole lot of motivation, too, a bevy of inspiring women…
Listening to Ivan Fischer’s account of Das Lied von der Erde so soon after nominating Jurowski’s Berlin/Pentatone recording for ‘Record of the Month’ (September) only serves to underline how pointedly Jurowski and his Berlin Radio engineers made…
Reflecting on ‘Callow meets Rattle’ in the September issue, the theatre animal within me (some readers may be unaware that I was briefly an actor in another life) is moved to consider once more why Leos Janacek…
The small and perfectly formed have come into their own during the pandemic with new and existing chamber arrangements making virtue out of necessity and ensembles like Yuri Zhislin’s terrific 19-strong Camerata Tchaikovsky fashioning more of less…
A brand new Cello Concerto – one piece, three composers, ‘three continents’. As Jan Vogler, the commissioner, puts it: ‘I’m a German, I live in America, and I’m married to a Chinese woman. My life is enriched…
The evolution of American music is chronicled right here in this quartet of symphonies. And when heard – as I did here – in a single sitting – it’s as if Ives is transitioning from the Old…
In a recent and far-reaching exchange with the conductor John Wilson (for an audio podcast to be found on You Tube) the names George Szell and Sir John Barbirolli (celebrated in the July edition) dominated our conversation…
West End and TV star Bonnie Langford chats with Edward Seckerson about her extraordinary career both on stage and TV; including ‘Gypsy’ with Angela Lansbury, originating ‘Cats’ in London and playing both Peggy Sawyer and Dorothy Brock…
Opera star Danielle de Niese discusses Handel and Offenbach at Glyndebourne, Man of La Mancha at London Coliseum, the relationship between opera, operetta and musical theatre, vocal technique and career longevity with Edward Seckerson.… [Read More]
I might have predicted that this of all the Mahler symphonies would chime with Osmo Vänskä’s very particularly gifts as a conductor. The brilliance and clarity of this performance (and recording – BIS technical prowess much in…
