Absence doesn’t make the heart grow any fonder of this performance. I heard (and saw) it live back in 2018 and it was in so many ways a mirror image of what the composer himself tried to…
We all love a drama, most especially one that stems from an unforeseen crisis. During this year’s foreshortened Prom season tenor Simon O’Neill, the eponymous hero of Glyndebourne’s Tristan und Isolde realised after act two that his…
This is very much in keeping with the impression I have always had of Robin Ticciati’s work: exhaustively prepared, immaculately turned, eminently musical. The sense of unfolding over the many, many pages of the introduction, a flower…
Tale as old as time… but clearly with half an eye on the Instagram age. Hearing this concept album before actually seeing Andrew Lloyd Webber’s latest West End opus (and remember that’s how both Jesus Christ Superstar…
Richard Bratby’s affectionate tribute to glorious Malcolm Arnold on the 100th anniversary of his birth (September issue) has prompted a few reflections of my own. Not least among them was the weekend I included the slow movement…
Wicked UK’s new podcast with composer / lyricist Stephen Schwartz and Edward Seckerson, to mark the 15th anniversary of the show in London’s West End. They discuss the enduring popularity of this musical theatre phenomenon, as well…
The Symphonic Suite has quite a pedigree, from those seeking to bask in the drama and hit tunes of favourite operas without words or voices (conductor Carlo Rizzi has been doing so with Puccini, I gather) to…
As I contemplate the return of public events and the unimaginable joy of hearing a real orchestra live for the first time in 18 months – that would be at the Proms, I fancy – I am…
Sunday 28th November 2021 3.00pm Crazy Coqs, Brasserie Zédel Comparing Notes brings stars of the West End and Broadway to Crazy Coqs. In a lively and informal mix of performance and conversation host Edward Seckerson will be getting…
A monodrama, a ballet and a mini-opera. Three faces of Samuel Barber ‘in camera’. One might expect a unique offering from a source committed to that cause – namely the Boston Modern Orchestra Project – but I…
