Flowers for Mrs Harris, Crucible Sheffield
You emerge from Flowers for Mrs Harris a little richer, a little lighter, a little more hopeful. Paul Gallico’s enchanting fable is about many things – it’s about new beginnings, rebirth; it’s about aspiration; it’s about the…
Threepenny Opera, National Theatre
John Gay started it, Bertold Brecht politicised it, and right now Dougal Irvine has smartly contemporised it in rhyming couplets. But beggars or buskers aside there’s only one Kurt Weill score – insidiously catchy down to its…
Sunset Boulevard, London Coliseum
At a time in musical theatre when you never quite know what you are hearing when the band strikes up, seeing was believing that on the stage of the Coliseum there were strings aplenty, horns, bassoons, trumpets,…
Mrs Henderson Presents, Noel Coward Theatre
The old gags are the best, they say – or just the oldest – and in this hugely enjoyable adaptation of the movie Mrs Henderson Presents they come thick and fast from the mouth of the show’s…
The World Goes Round, St James Studio
The World Goes Round has been, well, going round for 25 years. The John Kander and Fred Ebb catalogue lends itself to a tight-knit review format – Cabaret and Chicago embrace that genre anyway – and the…
L’Etoile, Royal Opera House
It’s a kind of French Mikado. In a distant and exotic kingdom a victim must be found to celebrate the King’s name-day. No little list, no W H Gilbert wit, either, but a handful of delicious tunes,…
Grey Gardens, Southwark Playhouse
It’s not hard to see why Grey Gardens – the musical – has become such a collector’s item. This strange but true tale of American royalty gone rogue, of Jacqueline Kennedy’s rebellious relatives, of a stain on…
Funny Girl, Menier Chocolate Factory
It’s hard not to invoke the B word – Barbra, that is, not Brice – and I speak as one who bunked off school to catch her at a mid-week matinee. It was standing room only at…
Elf, Dominion Theatre
There’s nothing wrong with Elf that a decent song or two wouldn’t help put right. Oh, wait, there is one – “Nobody Cares About Santa” – which bucks up act two no end and turns rather deliciously…
The Stationmaster, Tristan Bates Theatre
Aria Entertainment’s From Page to Stage platform for new writing in musical theatre is another of those life-lines which refreshes the parts that the West End so rarely reaches – and to see a fledgling musical like…