Prom 72: Orchestra Sinfonica di Milano Giuseppe Verdi, Calleja, Zhang, Royal Albert Hall (Review)
It was too little too late to redress the scant attention gives to Verdi’s bicentenary at this year’s Proms but the “Maltese Tenor” – Joseph Calleja – arrived with an eleventh hour offering of low-key Verdi arias…
Prom 68: Oslo Philharmonic Orchestra, Skride, Petrenko, Royal Albert Hall (Review)
The Oslo Philharmonic Orchestra made quite a splash with their Tchaikovsky symphony series under Mariss Jansons back in the 1980s. The watchwords then were freshness and articulation, a re-establishment of Tchaikovsky’s innate classicism – and so it…
Prom 64: London Philharmonic Orchestra, Vavic, Jurowski, Royal Albert Hall (Review)
Legends, myths, and Nietzsche’s Superman – which for the purposes of this London Philharmonic Prom was none other than Vladimir Jurowski himself. His extraordinary ear, his nurturing and layering of texture, was a constant source of intrigue…
Prom 59: “Hollywood Rhapsody”, John Wilson Orchestra
It was the biggest orchestra John Wilson had ever fielded for his annual Prom jamboree and this time the stage – or should I say silver screen – was all theirs. I’m pretty certain the actual 20th…
Prom 53: Rotterdam Philharmonic Orchestra, Nézet-Séguin, Royal Albert Hall (Review)
With the imminent release of a scorching account of Tchaikovsky’s “Pathétique” Symphony Yannick Nézet-Séguin and the Rotterdam Philharmonic Orchestra set the bar very high (too high?) for their Prom curtain-raiser – Tchaikovsky’s Fantasy-Overture “Romeo and Juliet”. The…
Prom 51: London Symphony Orchestra, Bostridge, Harding, Royal Albert Hall (Review)
How better to remember the great Sir Colin Davis than with a life-affirming blast of Tippett brass? Fanfare No.5 from The Mask of Time (arr. Meirion Bowen), xylophone-driven and sounding like it might morph at any moment…
Prom 35: Bavarian Radio Symphony Orchestra & Choruses, Jansons, Royal Albert Hall (Review)
Mariss Jansons by no means gave us the whole story of Mahler’s Second Symphony “Resurrection” at his second Prom with the Bavarian Radio Symphony Orchestra. Like Berlioz’ Symphonie fantastique from the night before it was a work…
Prom 33: Bavarian Radio Symphony Orchestra, Uchida, Jansons, Royal Albert Hall (Review)
Precious few musicians can instill such a sense of intimacy into their playing as to have us believing that the Royal Albert Hall is Wigmore Hall and that their performance is for an audience of one and…
Prom 21: BBC National Orchestra of Wales, Sondergard, Royal Albert Hall (Review)
The “Turning Point” in Colin Matthews’ so named orchestral piece is a change of attitude, a sudden seriousness of purpose, a great effort of will to stop moving and take stock of where it – whatever it…
Prom 20: Wagner “Götterdämmerung”, Staatskapelle Berlin, Barenboim, Royal Albert Hall (Review)
And so Wotan’s ravens flew home and at the twilight’s last gleaming the immortals were consumed by fire and water. All was finally and irrevocably redeemed by the power of love and the most beautiful of all…