GRAMOPHONE: From Where I Sit – February 2018
Last month’s focus on the Jarvi conducting dynasty has prompted me to reflect on the number of times Jarvi senior (father Neeme) has come out on top in my own comparative reviewing – not least on BBC…
GRAMOPHONE: From Where I Sit – January 2018
Reviewing Daniele Gatti’s new recording of Mahler’s Second Symphony (see the December issue) I found myself questioning yet again how it is possible to keep this now familiar music sounding startling and fresh and at the very…
GRAMOPHONE: From Where I Sit – December 2017
It was in December 1989 – a staggering 28 years ago – that Gramophone put me and Leonard Bernstein in the same room together. It was an extraordinary hour, the details of which I shall never forget…
GRAMOPHONE Review: Heggie – It’s A Wonderful Life
It’s interesting – and revealing – that Pentatone has a designated “American Operas” series. It’s an acknowledgement, if you like, that there is something very particular, very recognisably “American”, about the USA’s contribution to the genre, something…
GRAMOPHONE: From Where I Sit – November 2017
Finishing the unfinished. With this month’s cover feature on the mysteries and machinations surrounding Mozart’s musical last will and testament the debate on whether or not, how or if, or to what extent we should be second…
GRAMOPHONE Review: Mahler Symphony No. 4 – Munich Philharmonic/Valery Gergiev
This is a trickiest of discs to write about – unremarkable performances often are. For the first few pages that’s how it felt: a sound tempo, fluent, elegant enough playing, but also a sense of a reading…
GRAMOPHONE Review: Dear Evan Hansen – Original Broadway Cast Recording/Pasek & Paul
Benj Pasek and Justin Paul are perhaps best known as collaborators on the phenomenon that was La La Land and amongst other things an insidiously memorable little ditty called “City of Stars” (with composer Justin Hurwitz). But…
GRAMOPHONE: From Where I Sit – October 2017
The dust may finally have settled on the 2017 Proms season but one strand of programming continues to resonate with me. In commemorating the 1917 Russian Revolution Vasily Petrenko and Vladimir Jurowski stepped up with stonking performances…
GRAMOPHONE: From Where I Sit – Awards Issue 2017
In this age of rampant genre-hopping it’s actually hard to know what to call Joyce DiDonato’s cracking Gramophone Award winning confection In War and Peace. In performance it was neither a recital (the category in which it…
GRAMOPHONE Review: Sibelius Symphonies 1 & 6 – BBC National Orchestra of Wales/Søndergård
The solo clarinet which stands on the threshold of Sibelius’ symphonic journey is quite simply the palest, chilliest, loneliest sound in the world. Thomas Søndergård has a nose for such things and his Sibelius – as we…
