COMPARING NOTES with JACOB FOWLER
Sunday 21st May 2023, 7.00pm Crazy Coqs, Brasserie Zédel Comparing Notes brings stars of the West End and Broadway to Crazy Coqs. In a lively and informal mix of performance and conversation, host Edward Seckerson will be getting…
GRAMOPHONE Review: Nielsen Symphonies 1 & 3, 4 & 5 – Danish National Symphony Orchestra/Luisi
These are quite marvellous – and in the case of the Fourth Symphony, incendiary – performances. There’s something about the temperament of the Danish National Symphony Orchestra when they rejoice in the bracing and songful adventures of…
GRAMOPHONE Review: Stravinsky Symphony in Three Movements, Symphony in C etc. – BBC Philharmonic/David
It’s easy to underestimate the depth and breadth of Andrew Davis’ repertoire and indeed his sterling qualities as a conductor – his ebullience, his robust sense of rhythm and razor sharp ears. All of which is much…
GRAMOPHONE Review: Shostakovich Symphony No 10, Mahler Symphony No 10 – Hong Kong Philharmonic Orchestra/van Zweden
Mahler’s impact on those that followed him was greater than he would ever know. For Shostakovich it was the irony, the grand gesturing, the uncertainty of a symphonic tradition pushed to its limits. The two Tenths impact…
GRAMOPHONE Review: Mahler Symphony No. 9 – Bavarian Radio Sinfonieorchester/Rattle
In a matter of only weeks before this recording arrived for revue I’d been privileged to witness two great (and I don’t use the word lightly) Rattle performances: an unforgettable Mahler 2 at the BBC Proms and…
GRAMOPHONE Review: Tchaikovsky Symphony No. 5, Rimsky-Korsakov Legend of the Invisible City of Kitezh – LSO/Noseda
Noseda’s account of Tchaikovsky’s Fifth doesn’t put a foot wrong but leaves one wanting so much more. I could leave the review at that and in a way have said as much as needs saying. But let…
GRAMOPHONE Review: A & S Coleridge-Taylor Orchestral Works – Chineke! Orchestra
Only fitting that the ever-resourceful Cheneke! should kick off a brand new contract with Decca celebrating a favourite son, Samuel Coleridge-Taylor. Listening to this expertly curated collection of orchestral and instrumental sweetmeats reveals a composer well-steeped in…
GRAMOPHONE Review: Dvořák Legends, Czech Suite – WDR Sinfonieorchester/Mascelaru
Like the Slavonic Dances before them Dvořák’s Legends sound and feel like they were born into an orchestra. Piano, four hands, seems like a distant memory though clearly the homespun ‘salon’ ethos will always be redolent of…
GRAMOPHONE Review: Mahler Symphony No. 5 – Czech Philharmonic/Bychkov
The real pleasure here lies with the Czech Philharmonic – something individual, characterful and homespun in a world dominated by the supersonic. The playing has a warmth and generosity – and brilliance, don’t get me wrong –…
GRAMOPHONE Review: Ravel Orchestral Works – Ma Mere L’Oye, Scheherazade Overture, Valses Nobles et Sentimentales etc. – Basque National Orchestra/Trevino
I think it’s fair to say that I greeted the inaugural Ravel collection from this source with ‘modified rapture’. But reservations apart, it was self-evident to me (and I’m not being fanciful) that there was something deeply…