As with the first instalment of Nézet-Séguin’s symphonic Rachmaninov there’s a very real sense here of this music coming home, of a sound, a style, an ethos, in playing it that somehow – subliminally – gets passed…

Kerson Leong’s splendid account of the Bruch comes hot on the heals of Ryan Goosby’s no less committed reading with Yannick Nézet-Séguin and the Philadelphia Orchestra. But there are notable differences in tone which might loosely be…

The curtain-raiser somewhat eclipses the main event in this instance. Why we don’t hear more of Bartok’s Four Orchestral Pieces I cannot imagine – their relative compactness belies a breadth and depth and drama that calls to…

You can absolutely hear why Randall Goosby has been turning heads with his open-hearted and generous ‘school of Perlman’ delivery. There’s an honesty – and modesty – about his playing that stands him apart. It’s so refreshing…

The liner notes remind us that this was the exact pairing of works that Carl Nielsen chose for his one and only London concert appearance. The critic of the day was not impressed with the Violin Concerto…