GRAMOPHONE Review: Elfman Violin Concerto ‘Eleven Eleven’ – Cameron, Royal Scottish National Orchestra/Mauceri
In his liner note introduction to these stand-alone concert works Danny Elfman asks the question so often asked, namely why it is that audiences for movie music and classical music concerts are so markedly different when from…
GRAMOPHONE Review: Mahler Das Lied von Der Erde – Larsson, Skelton, Düsseldorfer Symphoniker/Fischer
Adam Fischer’s fascinating (if slightly eccentric) liner notes speak of the words of Das Lied von Der Erde being almost incidental to the mood, of the music being significantly more important than the texts that inspired it.…
Edward Seckerson talks to RENÉE FLEMING about The Light in the Piazza
Early in the development of Adam Guettel and Craig Lucas’ extraordinary The Light in the Piazza it was thought that Chicago Lyric Opera might be tendering a commission for the piece. It wasn’t to be. Broadway beckoned.…
GRAMOPHONE: From Where I Sit – May 2019
I was a little late to the party in respect of Vladimir Jurowski’s scintillating new recording of the original 1877 version of Tchaikovsky’s Swan Lake with the State Academic Symphony Orchestra of Russia (Yevgeny Svetlanov’s orchestra) but…
GRAMOPHONE Review: Richard Rodney Bennett Orchestral Works Vol. 3 – BBC Scottish Symphony Orchestra/Wilson
As each instalment of John Wilson’s recorded tribute to his friend and mentor Richard Rodney Bennett is revealed the realisation (to those of us who didn’t already know) that this extraordinarily complete musician could do absolutely anything…
GRAMOPHONE: André Previn – A Tribute
‘You’ve kept those of us who grew up in the same years feeling young; you’ve kept those older than you correctly infuriated, and you’ve been a lighthouse of consistency…We depend on you and love you and trust…
GRAMOPHONE: From Where I Sit – April 2019
Last month’s comprehensive celebration of Riccardo Chailly (not least his four decades at Decca) has prompted me to reflect on a number of personal encounters and to think again about the very particular qualities that make this…
GRAMOPHONE Review: Mahler Symphony No. 7 – Budapest Festival Orchestra/Fischer
I honestly can’t remember hearing a performance of this extraordinary symphony which was so plainly in love with its ethos, its originality, its sonority. Ivan Fischer reads ‘the small print’ of the score with such thoroughness that…
GRAMOPHONE Review: Shostakovich Symphonies Nos. 6 & 7, Etc. – Boston Symphony Orchestra/Nelsons
We’ve come to expect a clear-sighted brilliance and technical excellence from this series. It’s become something of a benchmark in that respect. The Tenth Symphony arrived like a whirlwind to kick things off and there have been…
GRAMOPHONE: From Where I Sit – March 2019
In preparation for a public encounter with the astute and ever-enquiring Vladimir Jurowski on the subject of Wagner’s Der Ring des Nibelungen my mind goes back to the first time I saw the film of Patrice Chereau’s…
