Edward Seckerson meets LAURA PITT-PULFORD & DANIELLE DE NIESE
In this episode of the Musicals Podcast Edward Seckerson drops in on the two leading ladies of the current revival of Andrew Lloyd Webber’s Aspects of Love – Laura Pitt-Pulford and Danielle de Niese – to compare notes on two fascinating…
GRAMOPHONE Review: Stravinsky Firebird & The Rite of Spring – Orchestre de Paris/Mäkela
In taking these momentous scores back to their Parisian roots Klaus Mäkelä, as expected, engages his keen ears and sense of orchestral drama to hear and to project their startling innovation. This Rite is all about inner…
GRAMOPHONE Review: Mahler Symphony No. 2 – Czech Philharmonic Orchestra/Bychkov
The character of this reading – and it does not, alas, confound expectations – is clearly established at the outset: cellos and basses incisive but hardly seismic, the rhythms crisp, even clipped, the emerging funeral processional more…
GRAMOPHONE Review: Shostakovich Symphonies 8, 9 & 10 – Berlin Philharmonic Orchestra/Petrenko
Recorded during lockdown, this trio of Shostakovich symphonies chimes quite dramatically with the mood of that time and speaks volumes as to the composer’s shifting state of mind between the war years and the death of his…
Edward Seckerson meets JAMIE PARKER
In this episode of the Musicals Podcast Edward Seckerson talks to the multi-award-winning Jamie Parker (The History Boys, Harry Potter – The Cursed Child) about his current project The Curious Case of Benjamin Button, a new musical by Jethro Compton and Darren…
Edward Seckerson meets JON ROBYNS
In this episode of the Musicals Podcast, Edward Seckerson talks to Jon Robyns about his journey from singing in the National Youth Choir to playing Jean Valjean in Les Misérables and now the new Phantom in Phantom of the Opera. The episode…
Edwarwd Seckerson meets SIERRA BOGGESS
In this episode of the Musicals Magazine Podcast, Edward Seckerson talked to the Olivier-nominated Broadway and West End star Sierra Boggess in February 2023, while the soprano was in London for a one-off concert at Cadogan Hall, and…
GRAMOPHONE Review: Bartok The Wooden Prince & Dance Suite – WDR Sinfonieorchester/Macelaru
I’ve yet to see a staged double-bill of Bartok’s symbolist ballet The Wooden Prince and his allegorical operatic masterpiece Duke Bluebeard’s Castle. A tall and very expensive order however one might approach the challenge. But that, it…
GRAMOPHONE Review: Nielsen Symphonies Nos. 2 & 6 – Danish National Symphony Orchestra/Luisi
The final instalment in this marvellous cycle of the Carl Nielsen symphonies does not disappoint. The Danish National Symphony Orchestra serve their national hero with self-evident pride and big-heartedness and the Italian at the helm – Fabio…
GRAMOPHONE Review: Shostakovich Symphony No. 10 – Ural Philharmonic Orchestra/Liss & New Philharmonia Orchestra/Sanderling
Two accounts of this great symphony – some would argue (not me) Shostakovich’s greatest – neither about to shake up the top recommendations for the piece but one undoubtedly possessed of the will and temperament to do…