Les Vepres Siciliennes, Royal Opera House (Review)
It started so thrillingly, director Stefan Herheim pulling off a theatrical coup which simultaneously fleshed out the opera’s back story whilst casting us body and soul into the gloriously opulent world of French opera-ballet. But as Verdi’s…
An audience with Dame Janet Baker, London Jewish Cultural Centre
PODCAST now available here Every now and again – but only very rarely – a professional engagement comes along that is so personal, so loaded with treasured associations, that it transcends all normal parameters and takes on…
Britten “War Requiem”, London Philharmonic Orchestra & Choir, Jurowski, Royal Festival Hall (Review)
Britten’s innate theatricality shines through every single bar of his War Requiem. Atmosphere, drama, suspense, and high emotionalism is to a greater or lesser degree written into the piece (something which the naysayers always latch on to).…
Briefly… Seven Brides for Seven Brothers, Wimbledon Theatre & Tour
The sound levels seemed to be in synch with the pine trees backdrop and went up and down like a whore’s knickers. In this the official press night for a lengthy stage tour of the much-loved MGM…
Briefly… Die Fledermaus, English National Opera
Eisenstein’s pocket watch (every seducer needs one) looms large and his wife Rosalinde is not having a good night. Recurring nightmares accost her and, wouldn’t you know, bats figure in every one. Is Christopher Alden really going all…
Briefly… Peter Grimes, London Philharmonic, Jurowski, Royal Festival Hall (Review)
I think we can now say with absolute certainty that Stuart Skelton is the pre-eminent Peter Grimes of the present time. Just as Peter Pears originated the role for a whole generation and Jon Vickers redefined it…
Fidelio, English National Opera (Review)
The first words we hear don’t belong to Fidelio at all, the first music does, but not at all where you expect to find it. If you’ve read your programme (and who does before the show begins?)…
Elektra, Royal Opera House (Review)
Applause for the conductor – even if it is Andris Nelsons – is just about the last thing we need to hear when Richard Strauss is about to fling down the brutal chords which spell out the…
London Symphony Orchestra, Uchida, Ticciati, Barbican Hall (Review)
From Mozart’s pen to Mitsuko Uchida’s fingers and one last time for Sir Colin Davis – Mozart’s wistful Rondo in A minor. If ever music crossed thresholds this not so little Rondo with its lilting Siciliana-like melody…
The Last Night of the Proms, Royal Albert Hall (Review)
As it came to pass, Marin Alsop’s nationality was rather more of a factor than her gender on this historic Last Night of the Proms – but her deft put-down of remarks made only the week before…
