NOTES FROM LOCKDOWN: Nigel Lilley in Conversation
West End musical director Nigel Lilley joins Edward Seckerson for another in his series of free-wheeling conversations with musical and theatrical luminaries. Nigel discusses his work on the Olivier Award-winning revival of Follies at the National Theatre,…
GRAMOPHONE Review: Brahms / Schoenberg Violin Concertos – Jack Liebeck, BBC Symphony Orchestra/Gourlay
The beauty of this coupling lies with the way in which two such highly distinctive works impact upon each other. The Brahms feels more radical for the proximity of the Schoenberg; the Schoenberg feels more romantic for…
GRAMOPHONE Review: Korngold Violin Concerto / String Sextet – Andrew Haveron, Sinfonia of London Chamber Ensemble, RTÉ Concert Orchestra/Wilson
Andrew Haveron joins very select, indeed mighty, company – from Heifetz to Mutter and beyond – in the Korngold Concerto. But his collaboration with John Wilson in the nursing and shaping of strings lines from the concert…
GRAMOPHONE: From Where I Sit – May 2020
Of all the singers I have admired but never met over the years my biggest regret was not having broken bread with Mirella Freni. We lost her in January and the waves of admiration and enthusiasm for…
NOTES FROM LOCKDOWN: John Wilson in Conversation
A free-wheeling conversation with conductor John Wilson, taking in his leadership of the newly reformed Sinfonia of London, recordings of music by Korngold and Richard Rodney Bennett, his love of French music, opera and musical theatre.… [Read…
GRAMOPHONE Review: Bruckner Symphony No. 6 – Bergen Philharmonic Orchestra/Dausgaard
The word ‘chivalrous’ invariably comes to mind with the opening measures of Bruckner Sixth. Knights errant galloping towards new adventures, colourful pennants flying with that first brassy tutti. There’s also more than a hint of Wagner’s Die…
GRAMOPHONE: From Where I Sit – April 2020
As some readers may be aware, a significant proportion of my journalism these days is given over to a favourite format – the live public interview. As I write this column an exciting four days beckon during…
GRAMOPHONE Review: Malloy Octet – Original Cast Recording
It will probably come as no surprise to anyone familiar with the weird and wonderful work of Dave Molloy that this so-called ‘Chamber Choir Musical’ is an extraordinary confection. I listened to it on the same day…
GRAMOPHONE Review: Copland Billy The Kid Suite / Dvořák Symphony No. 9 ‘From the New World – National Symphony Orchestra, Washington DC/Noseda
A brand new label showcasing both the National Symphony Orchestra and their home – the Kennedy Center – in Washington DC offers two familiar postcards ‘From the New World’ in performances that should but don’t stand out…
GRAMOPHONE Review: Mahler Symphony No. 4 – Carolyn Sampson, Minnesota Orchestra/Vänskä
Let me say straight away that Vanska is temperamentally far better suited to the pristine, child-like world of the Fourth Symphony than he was to the epic Second. There are many aspects of this excellent performance (and…
