GRAMOPHONE: From Where I Sit – August 2020
It’s always interesting getting feedback on reviews published within these pages whether there is agreement or a difference of opinion – these things are so subjective. It’s been a while, though, since a review of mine prompted…
COMPARING NOTES: Kim Criswell in Conversation
Broadway and West End star Kim Criswell discusses golden age style, vocal health, starring in ‘Nine’, ‘Baby’ and ‘The Threepenny Opera’ on Broadway, ‘Cats’ in LA, ‘Carrie’ in London and her work with conductors John McGlinn and…
GRAMOPHONE COLLECTION: Bernstein’s Mass
It was back in 1989 during my one and only audience with Leonard Bernstein that I experienced what I believe would now be referred to as ‘a moment’. We were discussing ‘the song about the writing of…
GRAMOPHONE: Rags The Musical – Original London Cast Recording
I have always been unreasonably fond of Charles Strouse and Stephen Schwartz’ Rags and would have given my right arm to have seen the great Teresa Stratas as Rebecca at one of the handful of performances (it…
GRAMOPHONE: From Where I Sit – August 2020
In June I reviewed – none too favourably – an account of Mahler’s tragic and prophetic Sixth Symphony from the Essen Philharmonic Orchestra under their General Music Director Tomáš Netopil which was the third recording in recent…
COMPARING NOTES: Julian Ovenden in Conversation
Actor and singer Julian Ovenden chats to Edward Seckerson about the postponed revival of Rodgers & Hammerstein’s ‘South Pacific’ in Chichester, performing Sondheim in London and Paris, working for Harvey Weinstein on Scott Frankel and Michael Korie’s…
COMPARING NOTES: Dame Sarah Connolly in Conversation
Distinguished mezzo-soprano Dame Sarah Connolly discusses her new recording of Mahler’s Das Lied von der Erde conducted by Vladimir Jurowski, singing Handel at Glyndebourne and ENO, Fricka in Wagner’s Ring Cycle, admired directors and dream roles with…
GRAMOPHONE: Shostakovich Violin Concertos – State Academic Symphony Orchestra of Russia ‘Evgeny Svetlanov’/Jurowski
If there’s one factor above all that sets these performances apart it’s the osmosis between soloist and conductor. There’s a musical and intellectual friction going on here and it has to do with the balance between head…
GRAMOPHONE: Richard Rodney Bennett Orchestral Works Vol. 4 – Michael McHale, BBC Scottish Symphony Orchestra/Wilson
I love the analogy Richard Rodney Bennett made when describing his multi-faceted career as ‘Different rooms, albeit in the same house’ – adding almost as a throw-away that he might have (unceremoniously) knocked down some of the…
GRAMOPHONE: From Where I Sit – July 2020
Written from lockdown (I never thought I’d write those words) where I am putting the finishing touches to a survey of Decca’s bumper box of Karajan remasterings for BBC Radio 3’s ‘Record Review’. It will be a…
