GRAMOPHONE: From Where I Sit – December 2020
Like many I was thoroughly absorbed by John Bridcut’s touching film about Bernard Haitink – The Enigmatic Maestro. Not entirely sure about the title because what you see is surely what you get with Haitink: a decent,…
COMPARING NOTES: Laura Pitt-Pulford in conversation
Musical theatre star Laura Pitt-Pulford discusses Parade, Mack & Mabel, Falsettos and Flowers for Mrs Harris, her love of Sondheim, the thrill of new writing and the joy of new motherhood with Edward Seckerson. Enjoy!… [Read More]
GRAMOPHONE Review: Britten Sinfonia da Requiem – City of Birmingham Symphony/Gražinytė-Tyla Orchestra
Capitalising on Mirga Gražinytė-Tyla and the CBSO’s ‘Record of the Year’ triumph at this year’s Gramophone Awards this purely digital release – a growing trend – gives notice of a two-CD release (scheduled for March next year)…
GRAMOPHONE Review: Shostakovich Symphony No. 11 ‘The Year 1905’ – London Philharmonic Orchestra/Jurowski
Hard on the heels of the thrilling John Storgards/ BBC Philharmonic account on Chandos comes another performance I was lucky enough to experience live in December of last year. And a marked distinction in approach is immediately…
GRAMOPHONE: From Where I Sit – November 2020
Among the many treasured recordings that I have found refuge in during a spring, summer and autumn of discontent for live music and theatre this year a souvenir DVD of the fabulous 2005 David McVicar staging of…
COMPARING NOTES: Jenna Russell in conversation
Olivier Award-winning West End and Broadway star, Jenna Russell discusses the challenges and rewards of performing works by Stephen Sondheim and Jason Robert Brown, and the importance of nurturing innovative new musicals with Edward Seckerson.… [Read More]
Michael Ball: Voice of the People
The Independent Monday 14 April 2014 Michael Ball seems to have it all – the finest show voice of his generation, charm, good looks, swooning fans. But? In Edward Seckerson’s opinion, there are no buts. Careers in…
COMPARING NOTES: Vasily Petrenko in conversation
Vasily Petrenko, celebrated Chief Conductor of the Oslo Philharmonic (between 2013-2020), the Royal Liverpool Philharmonic and Music Director Designate of the Royal Philharmonic Orchestra discusses his new recording of Prokofiev and Myaskovsky with his Norwegian orchestra, his…
GRAMOPHONE Review: Tchaikovsky Swan Lake excs – Philharmonia Orchestra/Rouvall
Like Oliver Twist I’m left wanting more. Clearly this Suite from Tchaikovsky’s masterpiece was part of a larger concert programme serving its purpose well in the wider context – and maybe, just maybe, it was just too…
GRAMOPHONE Review: Heggie Unexpected Shadows – Jamie Barton, Matt Haimovitz & Jake Heggie
Jamie Barton’s all-embracing talent – her powerful presence, her spectacular vocal equipment – has a whole lot of Heggie to get hold of here. But there’s a whole lot of motivation, too, a bevy of inspiring women…